Le Notizie ‘Fake’

Purtroppo abbiamo oramai tutti sentito del termine ‘Fake News’ – le notizie false. Più terribili sono i ‘fake people’, cioè le persone false – false perché tradiscono le più alte qualità necessarie per una vita sociale di armonia, di colloquio e di scambio d’idee – insomma di pace e bene. Queste persone non conoscono lealtà, non capiscono generosità e sono assolutamente ignoranti della parola’ onestà’.

Negli ultimi anni siamo stati assaliti da un’altra ‘fakeness’: ’fake letters’, cioè lettere false. Qui non si parlano d’imbrogli: per esempio, come fare più soldi, come avere una carnagione più bella, come pagare meno per il gas. Quegli imbrogli si possono subito (o quasi subito) identificare se uno possiede un minimo di scaltrezza. No. Queste ‘fake letters’ propongono di venire da associazioni conosciute bene da noi nella Lucchesia. Sono associazioni di alto valore culturale, sociale e morale.

Purtroppo, però, l’identità di certe di queste associazioni è stata rubata – come anche sappiamo che le nostre identità possono essere rubate, particolarmente da sistemi elettronici – di recente, alcuni miei amici su ‘facebook’ hanno avuto le loro pagine ‘hacked’, violate, e hanno dovuto fare appello a questo pericolo.

Dal 2012 anche noi abbiamo ricevuto ‘fake letters’ che si sofisticano di essere state mandate da associazioni o fondazioni. Diamo tre esempi.

Si suppone che questa sia mandata dall’associazione culturale ‘Il Mammalucco’, presieduta da un rispettato giornalista, che ha dato cosi tanta gioia e organizzato belle festività nel nostro comune.

Questa si suppone sia mandata dalla Fondazione Montaigne, che ha contribuito così enormemente alla cultura e la consapevolezza storica del nostro comune sotto la sua direzione impeccabile.

Questa si suppone sia mandata dall’associazione culturale ‘Il Muro Magico ’, una splendida organizzazione fondata a Roma e che quest’anno conduce un concorso letterario in compagnia con i comuni di Bagni di Lucca e La Spezia.

L’arrivo di queste lettere ci è apparso strano poiché conduciamo le nostre comunicazioni con tutte tre le associazioni tramite telefono o email. In ogni caso abbiamo subito chiesto i dirigenti delle associazioni se ci hanno inviato una lettera. ‘Certamente no. Comunichiamo con Lei con email e mandiamo avvisi come allegati,’ ci hanno confermato.

Qual è il contenuto di queste lettere ‘fake’? Poveri versi insultanti con le solite parole e frasi che si possono benissimo leggere googlando (per esempio) ’frasi insultanti’.

Ora ci domandiamo che meglio ha da fare quella persona che ora ha commesso due reati: ingiuria contro di noi e, più gravemente, furto d’identità del nome di onorevoli associazioni, una trasgressione punibile con reclusione sotto la legge 494 bis.

In ogni caso, comunque, i presidenti delle varie associazioni alle quali abbiamo notificato queste ‘lettere fake’ sono stati molto gentili verso di noi, scusandosi e ovviamente facendo denuncia tramite la polizia postale poiché, più che altro sono le loro associazioni che sono state offese.

Si dice che un bel gioco dura poco. Questo non è un bel gioco ed è già durato troppo a lungo: per noi e per le nostre rispettate associazioni.

Da qualche tempo pensiamo veramente che colui che ci manda queste missive sia malato di mente. Di recente ci sono stati degli sviluppi che hanno pressoché puntato il dito al presunto. Il fatto è che psicologicamente tali individui malati serbano l’ambizione di essere finalmente scoperti. Tra poco si potrà individuare chi è. Ci sarà forse qualche notizia ma speriamo proprio che, invece di reclusione, sanzione e pagamento di danni alle associazioni (e a noi) che ha insultato, sia invece certificato malato di mente e messo sotto corretta medicazione o inserito in una struttura apposita.

Avete voi, cari lettori, mai avuto tal esperienza di furto d’identità, o di persona o di una vostra associazione in questa maniera?  Talvolta il furto d’identità può diventare più grave del furto di articoli materiali poiché cerca di violare proprio l’anima e l’intimità di una persona e anche di una comunità, insultando non solo loro ma anche il benessere e il condotto di una dignitosa vita sociale e civile.


Pink Psychedelia

There was exciting talk in 2013 of celebrating the five hundredth anniversary of the building of Lucca’s famous walls with a concert by the Pink Floyd featuring their perennial album ‘The Wall’. The project came to nothing and the nearest Lucca has got to a band performing with the background of its walls is this year’s Stones’ concert due on 23rd September.

To celebrate the conclusion of exams and the university’s end of academic year most Cambridge University colleges put on lively and often lavish entertainments during ‘May week’ which begins on the second Thursday of June. (They were originally held in May)

These ‘May Balls’ have a history dating back to the 1830s. By the nineteen sixties the occasion had become very formal and stuffy.  In the flower power year of 1967, however, something changed. The former BBC light -programme-type dance bands were being replaced by some colleges by something more reflective of the considerable social change that was influencing Britain’s youth. Selwyn College, at that time generally regarded as conservative and imbued with Anglicanism, even invited ‘The Who’ to play.

The following year my college, King’s, had an awesome line-up including Roy Harper, the Soft Machine and the Pink Floyd. This array, which few Colleges would now be able to afford, was largely due to the efforts of a music student and friend Andy Powell. Fresh from Stockhausen’s Darmstadt summer school and impatient with the traditionalist music teaching then prevailing at Cambridge, Andy, through his contacts, invited two of the country’s most avant-garde groups: South London’s Soft Machine and Cambridge’s Pink Floyd. (Incidentally, Andy went on to a brilliant career as music producer – Kate Bush etc., composer, soloist, conductor and festival organiser).

King’s college staff was rather taken aback by the fact that Pink Floyd consumed most of the food and drink supposedly laid out for all performers. A strange herbal smoke permeated the Old Master’s Lodge and psychedelic shirts, and kaftans made a striking contrast with conventional penguin suits. Similarly, long flowing hair and skirts contrasted with the more formal evening dresses.  There was a highly visible contrast between the student ‘greys’ in their tweeds and short hair, and the long-haired student ‘hippies’, in the city’s streets. Times were changing fast – too fast for some, to slow for others and the length of one’s hair and one’s clothes really counted for something.

(Guess who?)

They say that if one remembers the nineteen-sixties then one wasn’t there. Memory takes many forms. It can be almost sequentially film-like or it can resemble a collage of images. That amazing night and dawn at King’s I still remember vividly, however. Who could forget the setting, the pastoral backs (the green lawns behind the colleges bounded by the punt-populated river) and the perpendicular pageant of the chapel?

Could I unthink the girl I was madly infatuated with? Could I forget how friend John Forrester (subsequently a supreme authority on Freud and now over the rainbow) managed to get a very drunken Roy Harper on stage to perform? Above all could I forget the Pink Floyd just in front of me in a marquee pitched before Gibb’s building, as the dawn rose over a youthful paradise, playing what must have been one of the first performances of ‘A Saucerful of Secrets’. Secrets the band was certainly unleashing upon an audience who were enjoying music from a pop group that was relishing the concept album and the use of new electronic techniques

The final section of the four-part composition, ‘celestial voices’, an extended chorale of almost Bachian grandeur, permeated through the aureate sunrise with wondrous sensation. The voices were truly celestial and we felt transported onto a different planet.

I never heard the Pink Floyd live again but in 2005, during my first year with my new life in Italy, I attended the opening of the refurbished main square at Crasciana where I heard a highly convincing Pink Floyd cover band.

You can also read more about that occasion at


It was, therefore, a real nostalgia trip when on a recent trip to London I visited the lugubriously named ‘Their mortal remains’ Pink Floyd exhibition which opened last month at the V and A.

People joke that after the age 45 every new person one meets reminds you of someone you know. More tragic is when a piece of vinyl one remembers buying and listening to for the first time so recently is now safely locked in a museum display case!

The V and A is making a speciality of retrospective pop music exhibitions. Examples include the one dedicated to David Bowie and the one titled ‘You Say You Want a Revolution? Records and Rebels 1966-1970’ which we visited earlier this year.

The exhibitions appear to have a three-fold purpose:

  1. To support the otherwise free museum by charging for special exhibitions, For the Pink Floyd we purchase a timed ticket on-line.
  2. To introduce a retrospective introduction to the history of pop music to new generations.
  3. To induce a sense of sweet melancholy in those of us who have lived through an age of wondrous development of pop, an epoch which truly defined our generation, our aspirations our loves and our hopes.

Here are some photos from that Pink Floyd exhibition which will run until the end of September this year.  How it made me feel young and old at the same time!


(PS Recognize Lucca’s piazza dell’anfiteatro? It wasn’t even labelled at the exhibition.)


PPS Those fanous lyrics from ‘The Wall’ seem still so apt today when radicalisation is causing such dangerous consequences to our society:

We don’t need no ‘education’ 
We don’t need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone


That part of the album as sung by pupils of Islington Green comprehensive school (Jeremy Corbyn’s constituency) in 1979:





Great Romanesque churches in our part of the world

If I had to write a ‘good church guide’ to the churches in the comune of Bagni di Lucca I’d definitely choose the first four on the list below. The remaining three are in nearby comuni and a little planning will be able to include them. For example, starting from Bagni di Lucca it’s possible to do a circular tour across from Benabbio to Villa Basilica and return via Collodi and Marlia with a little detour to the Brancoleria and its superb Pieve of San Giorgio.

Do I have any particular favourite? That’s rather like asking me what pasta shape I prefer! They are all superb and anyone who misses out on them in our part of the world is missing out a great deal. If I had to choose one, however, it would be Villa Basilica’s transcendent Pieve – so fine!

Accessibility to these architectural and spiritual treasures depends on two factors:

  1. Times of church Masses. Easily checked up on Lucca’s diocesan web-site at http://www.diocesilucca.it/orari.php?cod_ana=390
  2. Knowing the right person.

Here’s my list then:

Santo Stefano di Bargi San Stefano Largely Romanesque with 18th century vaulting Good https://longoio.wordpress.com/2013/06/25/from-pieve-di-controni-to-eltham-palace/


Pieve di San Cassiano San Cassiano Largely Romanesque Good https://longoio.wordpress.com/2013/07/28/symbols-of-eternity/


Pieve di Vico Pancellorum San Paolo Romanesque Good https://longoio.wordpress.com/2014/04/23/yes-of-course-it-must-have-been-at-vico-pancellorum/




Pieve di Sala Santi Quirico e Giulitta Romanesque Poor https://longoio.wordpress.com/2014/03/12/a-castle-and-a-pieve/


Pieve di Popiglio Santa Maria Assunta Largely Romanesque with fine renaissance features Good https://longoio.wordpress.com/2013/06/17/proud-popiglio/


Pieve di Villa Basilica Santa Maria Assunta


Romanesque Good https://longoio.wordpress.com/2013/05/30/noble-villa-basilica/


Pieve di Brancoli  San Giorgio Romanesque Good https://longoio.wordpress.com/2013/06/12/lions-and-dragons-of-the-brancoleria/


Recently I took two friends to visit San Cassiano and Vico Pancellorum.

We were shown around both pievi by well-informed locals who play a very active part in their communities: Pietro for San Cassiano (contactable through Santina’s trattoria) and Claudio for Vico Pancellorum,  president of the ‘Risveglio’ village association.

San Cassiano church is built on the site of a temple dedicated to the goddess Diana and is full of carved symbolism which dates back beyond even the Templar knights to times lost in the mists of occult pagan customs.

At Vico Pancellorum Claudio pointed out all the fine details of the pieve which still conserves its original Romanesque apse, (unlike San Cassiano).

Unfortunately, the apse’s windows are blocked by much later outbuildings used for storage. How wonderful it would be if those excrescences were demolished and light shone onto the altar.

The same argument might be said for the organ which blocks the light from the western windows. However, it is a fine seventeenth century organ supported by a fine loft from which, sadly, thirty years ago four angel heads were stolen. Could they not be re-carved from old photographs?

Vico is a wonderfully mysterious borgo and a great walk can be had by going from the Pieve up to the top of the steep town.

and returning through fragrant woods.

As the Italians say: ‘c’è l’imbarazzo della scelta’ – ‘there’s the embarassment of choice’ in this richly beautiful little corner of our awesome planet.


Of Liberty and Tolerance

Did I manage to go to all the five events I mentioned as worthy of attending in my last post? Well, not all. Four, in fact, and I still managed to snatch a pisolino in the Saharan heat that is gripping Italy!

The first event was the publication of the original version of Benedetto Croce’s speech delivered in Bari’s Teatro Piccinni  in January 1944

There were significant contributions by Michele Olivari professor of modern history at Pisa University and Giampietro Grosselle, legal forensic graphologist at Livorno’s Court of Justice. I discussed the issue of contemporary word processing with Grosselle afterwards suggesting how much more difficult it is now to be able to interpret the writer’s character and mood from a printed sheet. Yet there is still a lot to learn in a word-processed document; for example in its layout, choice of font and it’s possible to uncover crossings-out and insertions easily by using the appropriate options. So all is not lost.

(Prof.  Marcello Cherubini of the Fondazione Montaigne introducing proceedings)

Why should Croce’s notes be of any interest except to specialists? It’s because Croce’s broadcast laid the foundation of the Italian republic and its constitution as we know it today.  OK that’s fine but why should Bagni di Lucca be involved? It’s because in September 1943 the Cassibile armistice was signed which (unfortunately theoretically) ceased hostilities between the allies and the Italian government. The allies had invaded Sicily and the Italian government arrested Mussolini for misconduct of a disastrous war. The northward thrust of the allies was not quick enough for the Third Reich to prevent sending panzer divisions into Italy and capturing Rome. The royal family escaped to Bari and for the next two years Italy was involved in one of the cruellest civil wars Europe has ever seen, with a puppet Nazi-fascist government in the north and a provisional government in the south. Even Rome’s eventual deliverance in 1944 did not stop the bloodshed and the war for Italy did not finish until April 25th 1945 – a date which has become a national holiday – the ‘giornata Della Liberazione’. (For more information on the context see my post at https://longoio2.wordpress.com/2016/03/18/amazing-find-in-greenlees-archive-at-bagni-di-lucca/ )

(Exhibition in the library associated with Greenlees and Croce)

Ian Greenlees, (see my post on him at https://longoio2.wordpress.com/2014/09/13/an-aesthete-in-bagni-di-lucca/ ) was director of Bari radio between 1943 and 1944: critical years in which the King of Italy declared the armistice and in which Croce made his seminal speech.

(Portrait of Ian Greenlees in Bagni di Lucca’s Library)

Benedetto Croce was one of Italy’s greatest twentieth century philosophers and one who did not disdain to enter into politics. I suppose the nearest equivalent in the UK would be Bertrand Russell and in many respects their ideas had similarities. Like Russell Croce quit Christianity for a spiritual and moral philosophy of life. A pacifist, Croce quickly turned against Mussolini after political activist Matteotti’s murder by fascists in 1922. He invented a term which he applied to the Italian government and would be equally well-applied to the present UK government: ‘onagrocrazia’ or ‘government by asses’.

Amazingly, despite many threats and the ransacking of his library, Croce survived fascism and was appointed a minister without portfolio in Badoglio’s post-armistice government. Strangely, Croce voted for the retention of the monarchy in the constitutional referendum of 1946 which turned Italy into a republic, and regarded the peace treaty, which removed a large part of Venezia Giulia including Trieste (which only became part of Italy again in 1954), as humiliating.

Croce, who was the only survivor when, as a sixteen-year-old, his family was wiped out in an earthquake, remains to this day a somewhat complex and ambiguous figure. That’s why his friendship with Ian Greenlees and the documents exchanged between them, which were only re-discovered last year in Bagni di Lucca’s library Greenlees archive, are so telling.

In the ‘sketch’ there are some significant crossings out and word changes. For example, the Allied government must be ‘loyal’ rather than ‘generous’ to Italy. In another part fascism does not just ‘destroy’, it ‘corrupts and destroys’.

Croce was, above all a liberal philosopher, politician and historian who was greatly influenced by the Italian illuminist philosopher Giambattista Vico, so significantly revalued in recent times.

Above all Croce prized liberty and tolerance. It is, therefore, with some considerable preoccupation that I hear on the news today that a tit-for-tat attack by a white van driver has left one person dead and seriously injured ten others.

I think of the civil war in Italy, which came so close to Bagni di Lucca with its ever-present fortification remains  (there was also a visit on Sunday to the gothic line dividing axis and allied forces and whose anti-tank wall passes just south of local Penny supermarket. You can see my visit to this wall at https://longoio2.wordpress.com/2016/04/15/catching-the-train-at-borgo-a-mozzano/ ).

I also think of the UK as a divided country too: divided by that ghastly brexit nonsense whose negotiations are to start today. I also think of the division in the Royal Borough of Kensington and Chelsea where the average wage of the better–off is over five times greater than that of the less well-off and where the difference between the average life expectancy of the two wage-groups is twelve years. Indeed, I remember as an unbelieving six-year old being driven through the shabbier parts of Kensington by my parents and my mother mockingly reading aloud a street name sign with the inscription ‘The Royal Borough of Kensington’. (Chelsea was added in 1965).

I just hope liberal tolerance will win through. After all, Italy was in a political psychosis in 1945 and has managed to keep itself together despite continued political instability and discontinuity, so much so that Italians are now declaring to me: ‘we thought we had to put up with an impossible government ‘all’Italiana’ but we think your country’s government has beaten ours in being even more ‘all’Italiana’!

I wonder what broadcast Benedetto Croce might have made on RAI TV and radio today…

(Every important occasion in Italy, like this book presentation,  ends with a nice ‘rinfresco’)





Of Summer Love and Death

Our area’s summer season is warming up both in terms of activities and temperature. It’s difficult to enjoy late nights and manage to get up and take advantage of the morning freshness at 5 am. So forget ‘mad dogs and Englishmen going out in the noonday sun’ and enjoy your siesta or, as more correctly said in Italian, ‘schiacciate un pisolino’.

Today, for example, there are five events listed in my diary.

First, there’s the presentation of a book on the notes the great critic and champion of democracy, Benedetto Croce, made when opening the first post-fascist government in Bari in 1944 – notes, incidentally, recently rediscovered in Bagni di Lucca’s library. It’s at 10.30 in Bagni’s library.

Second, there’s an equally interesting book presentation at Gallicano’s Istituto Comprensivo (where I taught for some years.) The subject is the area’s resistance during WW II.

Third, at Shelley House in Bagni di Lucca the Shelley festival continues with a seminar at 5 pm on romanticism with Luca P. B. Guidi and Bartolomeo Puccetti

Fourth, there’s going to be a Midsummer Night’s Dream at Lucca’s Teatro San Girolamo with the English theatre company at 7 pm.

Fifth, at 9 pm there’s a choir festival at Gallicano’s beautiful church of San Iacopo.

Undoubtedly there will be many more things happening today in our area. What to do? Everywhere to go and everything to do! Walking for a start in this wonderful weather, like I did with friends around Vico Pancellorum yesterday.

I’m aware that life is not only short but also can be brutish. The high hopes, in all senses of the word, of an Italian couple escaping from this country’s work shortage  to a promising future in London only to die in what will turn out to be  the United Kingdom’s worst peacetime accident with (I so sadly regret to say) a number exceeding the up-to-now worst peacetime accident in the UK when, in 1952 at Harrow and Wealdstone station, an express train crashed into the back of a stationary passenger train only for the two to be struck by a third train causing a death toll of 112 people.

I can do nothing more than to quote an email sent to me last night by my wife, Alexandra who is still in London:

This evening on late news it was announced that two Italian were amongst that horror: Gloria Trevisan and Mario Gotardi. I heard the other day that there was an Italian couple with children. I wonder about them. The whole situation seems most suspicious. Do we still want Mrs May at the helm?

I feel quite ill over all this and our near fatal accident too (see https://longoio2.wordpress.com/2017/05/08/about-guardian-angels/). You seem to be coping a lot better than me in amongst all this. (p.s. I’m not…)

There is a reason for everything that happens in life; we are all part of a bigger plan – just pawns in a bigger game of fleeting life. All these horrors on UK shores have put compassion, love, faith, friendship in the forefront. I feel that we are all affected and changed by these horrors. Life is and will not be the same amongst all this. It’s an indescribable sadness and heartache – I cannot eradicate the suffering that must have been inflicted on these innocent people. It is really all too unbearable.

Coraggio Sandra!

Gloria’s facebook page now bears the added poignant phrase ‘in memoria di’. They were such a beautiful couple: the best of Italy whose people are now blaming the Italian government for not providing the opportunities for its young people who have to flee to other countries to find work.

If you are of strong heart do remember the life of Gloria (and so many others who travelled over the rainbow bridge of life in that terrible night) by visiting her facebook page at



‘Dear mamma thank you for helping me so much

Dear papa I wish I could hug you now for the last time

I had my whole life ahead of me. It’s not fair. I don’t want to die. I wanted to help you, to thank you for all you did for me.

I am about to go to heaven, I will help you from there.’









Corsanico Festival


The curtain rises on the “Corsanico Festival 2017”, the 36th International Classical Music Festival organized by “The Friends of the Vincenzo Colonna Organ”, Corsanico’s Cultural Association under Graziano Barsotti’s artistic direction. The concert series has the prestigious patronage of the Senate, the Tuscany Region and Lucca Province and is held in the charming artistic setting of Corsanico’s Pieve di S. Michele Arcangelo of.

Ten concerts, five in July and five in August, all themed, but which will have as the centrepiece the great historical organ now known throughout the world: an instrument which is a masterpiece of Venetian organ building, built in 1602 by Vincenzo Colonna.

The thirty six seasons of the organ festival have brought, the world’s greatest organists, orchestras, ensembles and world-famous soloists to Corsanico. This year’s festival is as varied as ever, with music ranging from the middle ages to the present age, touching nineteenth-century opera up to film music, underlining the international importance and excellence of this festival.

Its importance is such that the Senate of the Italian Republic has sent the festival’s director Graziano Barsotti an honorary representative medal for the 2016 Corsanico Festival.

The inaugural evening will be held on Saturday July 8th and is titled “Two centuries of sacred arias”. The performers, organist Gabriele Giacomelli and soprano Maria Gaia Pellegrini will include music by Vivaldi, Handel, Rossini, Mendelssohn, Bellini, Saint-Saens, Verdi and Tosti.

Tickets €. 10

Concerts start at 9.15 pm

Info: tel. 0584 954016 cell phone. 328 5391833





On Saturday, July 15, an evening of ancient music, dedicated to the famous medieval composition “Carmina Burana” (XII century).

An interpretation on a vertical axis, performed by the EsaEnsemble vocal sextet.

The vocal and instrumental ensemble is conducted by Sergio Chierici.

Tickets €. 10


On Tuesday, July 18, the London Bromley Youth Orchestra, conducted by Jonathan Joseph, will perform music by J. S. Bach, Tchaikovsky, Peter Warlock and F. J. Haydn.

Free admission


Friday, July 21, “Oscar Music” performers, Fabrizio Datteri-piano; Paolo Carlini-bassoon.

Music by Rossini, Gaslini, Pieranuzzi, Morricone, Bacalov, Rota, Boccadoro and Saint-Saens.

Tickets €. 10


Saturday, July 29, “Acclamationi divote” beautiful and touching renaissance and baroque compositions, performed by Olimpio Medori organ and Paolo Fanciullacci tenor. Music by Frescobaldi, Monteverdi, Viadana, Pasquini, Grandi, Rossi, Sanchez, Storace and Legrenzi.

Tickets €. 10.


Saturday, August 5, “All Bach” evening dedicated to the great composer Johan Sebastian Bach, played on the organ by Daniele Boccaccio.

Tickets €. 10


On Sunday, August 13, “Listening to the cinema” with the Tuscan Chamber Orchestra, which has repeatedly participated in the Corsanico Festival, always obtaining critical praise with its first violin Antonio Aiello, concertmaster and Matteo Venturini organist. Music by Morricone, Bacalov, Zimmer, Norman, Williams, Morris, Piovani.

Tickets €. 10


Saturday, August 19, “Many Ways” – musical journey between ethnic, classical and jazz; “Oracle Trio” Carlo Palagi-guitars (see photo); Giuliano Passaglia- soprano and tenor saxophone; double bass; Riccardo Puccetti-percussion, marimba, and drums. Music by Palagi, Garbarek, Puccetti and Towner.

Tickets €. 10


Friday, August 25, “Trascrizioni d’opera”, a fascinating program where the organ, together with trumpet, performs opera aria transcriptions. Performers are Marco Arlotti-organ; Michele Santi – period trumpets (see photo); Music by Zanichelli, Cacciamani, Forestier, Verdi, Arban, Morandi and  F. J. Haydn.

Tickets €. 10


On Sunday, September 3rd, the 36th Corsanico Music Festival concludes with Puccini’s ‘Tosca’ performed by the winners of the 3rd International “Voci nel Canto” Competition. ‘Musica Omnia’ orchestra conducted by Antonio Bellandi; Directed by Patrizia Morandini; Set designer: Alessio Menicocci.

Tickets €. 15,00