A mandala is a two or three dimensional representation of a cosmic universe. It is, in effect, a road map of spiritual dimensions. As such, mandalas have been used in some of the world’s great religions as aids to meditation and spiritual exploration. Tibetan mandalas are well-known, especially the technique of creating them out of sand only for the painstaking work to be destroyed as soon as it is finished – thus representing life’s transience and the vanity of human conceptions.
We enjoyed seeing kolams drawn anew every morning at the threshold of villagers’ houses during our visit to Tamilnadu last month and Sandra took photographs of several of them:
Kolams (known as rangoli in other parts of India) are believed to bring good luck and prosperity to homes. They are also drawn in temples when supplicant’s vows have been fulfilled. Kolams are drawn with white rice powder and often coloured in. By the end of the day kolams may have been washed out by the rain or blown away by the wind so the following morning new ones are drawn. The Tamilnadu kolam, therefore, has a purpose similar to the mandala – that of a connection to another, heavenly universe. It also shares a comparable quality with the mandala, that of symmetry and precision. Radial balance can also be an important feature of kolams and mandalas – that of considering them as cosmic cakes divided usually into four or six slices and where each slice is identically related to the other.
I would also add that mandalas spread into western religion. What else are those marvellous rose windows seen in gothic cathedrals but celestial glass representations of a godly universe?
(North Rose window at Chartres Cathedral)
Morena Guarnaschelli held a class in creating mandalas yesterday at 5 pm at Ponte a Serraglio’s casinò as part of the events celebrating International women’s day ‘Omaggio alla Donna’. The class was very well-attended with a wide age-range including children. Morena’s explanations of what a mandala is and how to create one were exemplary:
Morena emphasised the fact that a mandala should be a journey into one’s own psyche and that spontaneity and fluidity are paramount in its creation. Soon a silence of concentration descended onto the participants as they started their own mandalas.
Andrea, a practitioner of Chinese tuina manipulative therapy, who has a shop at Ponte a Serraglio also participated by giving us an insightful introduction into the significance of dreams, Chinese medicine and numerology.
Our mandala activity was resumed after a welcome buffet supper which included a very good chocolate cake decorated with mimosa, the emblem flower for International Women’s day:
By the end of the evening the results were often quite special.
As a non-artist used only painting walls and window frames I began to get quite involved in the creation of my own mandala. I don’t know what it says of me. All I can note is that without Morena’s excellent class I would not have achieved much.
(My own humble effort)